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Obituaries

People die. Invariably. Indifferently.

I had a fascniation of reading obituaries when I was a kid. Since kids aren’t the target of dailies, the Young World only appears on Saturdays. So the Old World filled with everyday events didn’t bother so much with imagination. It carried facts. About who went were and fought whom. Who won and the tally of it. Be it politics or sport. What sought my attention was the broadcasted show list on TV to find that my favourite cartoon will still be running on the same time when i return from school and the retelecast of the movie that I had watched already like five or six times. But that does nothing to feast the mind. But Obituaries did. And Anniversaries. Of death of course. Their family misses them. His company is his leagacy. The kid’s death was really unfortunate but it was almost 6 years back. The 40 year old man dies of aneurysm and the widow and his kids are mourning. Loving Mother of 4 and Grandmother of 12 who has nothing else to say about her life. The new born that never saw the light. Grief. Boundless. There mentioned in words within boxes. Are these the only people that died yesterday? Or just the worthy enough to be mentioned? A measure of wealth (or reverence) by the real estate of the page. But what if I died today? Will I be worthy of rememberence?

Things have not been great ever since cognisance developed. Alike any other human troubles abounded my life as well. But I wasn’t well adapted. To life or otherwise. I should have been a narcissist but alas I can empathize. So self interest took a backseat but fear of failure didn’t. Due to inactions on my part in various spectrums of life, I have failed spectacularly in all. So I’m panicking into my 38th birthday this year as living example of how bad I can do. I don’t want to be remembered as such.

I started writing just so I thought it would improve my mood. A sense of accomplishment is necessary to pass the day without a breakdown when you have nothing else on your day, or week, or the calendar. But again it was all pointless shit of self loathing and pandering. It is a wonder that I got through the lockdown easily but my life since then been worse. I realise that a menial work and regular paying job and people to love and care would do great things for ones mental health. I’m just not fit enough. Because I have never had so much thoughts of self harm since I went back pursuing the vocation I dreamt of.

Family is easy. They don’t have a choice. But friends are tricky. It is hard not to be antoginizing everything that someone does when you were betrayed young. But still you trust the process and build trust and relations. But again the slightest hint of betrayal sends you down a spiral. Betrayal has many faces. Hate casting a shadow of love.

I do not think less of you. If I think less of anyone I’d be on the top of my list. If I’m smiling, it’s purely out of my indecisive anxiety. Rarely it is because I can grasp that you are not any better. But I know I’m definitely not.

I don’t know how long I can push through. But I’ll try. Like all things this will die eventually. Me as well. You as well.

Last night I woke up in a strange room

Last night I woke up in a strange room. It was strange cause it was not my room, the room that I slept in. I clearly remember going to bed last night right after dinner. I had, how do I put it, a cloudy head, where I can’t think of anything on my own. Cause that would cause a headache and I didn’t want that. But it’s not like there’s nothing running in my head. It feels stuffed with a constant stream of information flowing like when you are tuning a radio. I even hear stuff in unheard languages. It’s not set on a single wavelength but constantly tuning onto different stations or stuff or rather noises. People screaming at each other, kids playing their games, sounds of traffic, and more random stuff. But when I woke up it was silent. But not entirely. I can hear footsteps of people rushing down the corridor. And I knew then I got to go down too, cause it was time. Time for something that I instinctively knew was scheduled for, but what I’m not that aware. Down the spiral stairs of what seemed like a hotel, I followed the crowd into the atrium where everyone was waiting in queues. I chose a line to stand behind a couple of girls standing beside each other, must be friends I guess. It seemed like people were reporting to various desks with people in white hazmat suits. Huge steel boxes were being carried around by people in yellow hazmat suits with red stripes on them. I could peek into one of the boxes which were being packed with cold steel flasks one at a time carefully. Distracted by the metal boxes and walking along I thought I might have stepped on the girl’s shoes. I involuntarily held her two arms from behind to prevent her from falling. Only to my embarrassment for I haven’t stepped on her shoe but only to that thought. With cold stares from her friend, I might have frozen to let go of that girl’s hands. As I did let go of her she turned around to freeze me over again with additional cold stares. I like that girl I suppose, the girl with a bob cut hair and cream coloured pullover sweater with blue, black and red stripes across the chest. The girl on whose shoes I didn’t step on. I watch her watching me while stepping backward. She didn’t turn around. She never turned around. But I’m not looking at her anymore. Not that I don’t want to. I’m not shy of looking away at a person looking at you, given how pretty that person is. But she wasn’t around for me to look anymore. For I was seated in a chair looking at a large pot with a white betta fish with a varied green and blue coloured tail. I do like betta but never preferred a pale one. But somehow this one looked prettier and strangely familiar too. It swam out of its little pond and into the room, swimming around in thin air like it was only a natural thing a fish would do. Or maybe I’m underwater, everything is maybe. I didn’t doubt my reality or what was happening around. I couldn’t actually. I knew all this was real and couldn’t think otherwise. Then the beta swimming somewhere around a row of chairs five feet from me turned around to look at me. I knew it was coming towards me and I knew that it was my pet all along and it loves to sit on my chest. And as I started to “know” all these facts, the beta circled gracefully around me and floated above my chest. It could be how the fishes sit I guess. Then a doubt arose out of nowhere. This is too real. But this couldn’t be. I’m not dreaming or I don’t want to be dreaming. I could still feel the girl in the cream pullover sweater looking into my eyes. I’d still feel it forever. And I have my favourite pet beta fish sitting on me, all the time. But I knew they can’t. It could be someone else’s reality. Or it could still be a dream. But I didn’t want to know if it was a dream. But I gave up to what if it were my reality. The only way to know if it’s a dream is to look into a mirror. Because in dreams the dreamer never has a face. You can never see your own face in your dream. You can still see yourself in your dream but you’ll be looking at someone or something with your face cause you are looking at it or them and it’s not your face, the face that you are looking with. No mirrors around though. And I don’t want to move away from here, away from my beta or the lobby with the girl looking into me. So naturally I took my phone out, opened the camera, and I could see the fish sitting on my chest, but I couldn’t see my face. Or my whole head. It’s not like I didn’t have a head. But just that I couldn’t see it. Then I knew for sure I’m in a dream. I had to wake up. I can’t be there knowing it’s not the reality. It’s not my reality. It’ll be addicting to want to stay in dreams this way. Chances are you might end up never leaving it. I don’t want to, at least right now or this one. I woke up in my home. It was early, around six in the morning. I opened the doors to catch the early light like it was any other day. But it was still dark out. The birds weren’t there. No chirping either. Not because the sun was still out. There was thick smoke in the sky. Clouding out the whole of the sky. I looked around and I could see smoke coming out of the ground. Nothing was burning though. On the contrary, things were burning. I mean the some of the plants on the empty plots around my house were burning with smoke rising far high into the sky. I could see some trees afar with smoke rising. But there were no flames. Even on the hills across the house, I could see patches of smoke rising. It was happening everywhere because I knew it. It wasn’t wildfire. There was no fire. There were smoke and darkness. And the sun tried its best to bleed through it.

The way out

If there was an afterlife and if there were heaven and hell, set up on a floor up and down respectively, I think what probably takes you there at the end of your life would be an escalator. Not an elevator or a staircase, but just a gently paced escalator to transit those waiting from the waiting area to whatever awaits them to wherever they are headed.

The lift would be too quick don’t you think? All the excitement and anticipation of what heaven would be or the dreariness recounting all your sins on your way down could last a little longer. Especially the way down is a punishment in itself proportional to the time it takes. Also, it’d be a damnable waste of energy to transport the empty lifts back to pick them, people. Heavens people don’t deserve that crowded sweaty packed boxes as everyone might be in a hurry. Don’t think the hells people in any hurry to get to burning forever, but their concerns do not matter here I guess.

The staircases – let’s just straightaway agree that it is pointless. Come on, the countless stairs. If anyone is found counting the number of stairs that leads you anywhere beyond life on this earth can already be deemed to be in hell. So stop counting. Also, who is being punished here the people climbing up or down? Maybe they can keep the stairs if they could switch heaven and hell’s floor.

The escalator, however, imho(in my honest opinion(just saving your trouble here, in case if you didn’t know what it stands for)) provides for a better reminiscence of life while standing as an allegory for life itself. Life of their own. First, let us settle on the logistics. You just need to set up one-way transit and there’s not much loss of energy in any way as it’ll never run empty as long as there is a steady supply of people, and that we humans can promise. Also at a steady pace, there’s no rushing in the immigration process, if they had any policies as such in place. Let’s just assume even if it was there it’s be done in a jiffy in heaven. It’d be more pleasurable than to have no process at all. They scan you as you walk in and someone at the gate welcomes you and hands you a welcome guide and information bulletin and an ID. You never have to wait. However, in hell, they still keep the records on paper. You fill out the forms, get a token, stand in an endless queue and move from counter to counter manned by the ill-equipped people, with lifetime experiences of handling such work here. Let us not get ahead of ourselves. The Escalator again, imagine the people getting on them. The old hesitant and in no hurry letting the young pass by, patiently get on and wait cautiously to get off. The middle-aged cluelessly look around wondering how they ended up here, but still sincerely standing upright however inclined their views are. The young, as if they are in a hurry, look rather stranded and impatient trying to get ahead a few steps. The children running up and down like it’s a game, not giving a heck. The babies wrapped by warm bosoms have nothing to worry. They never get hungry and never cry. They keep smiling as if they are being swirled. And they all go to heaven.

But what if they had some advanced tech like personalized instant portals? Yeah, maybe.

The Square 2017

The Square is a 2017 Swedish film by Ruben Östlund.

The Square is an upcoming art installation in a museum of modern art, and much like any contemporary art, it is abstract. The square is defined as ” a sanctuary of trust and caring. Within it, we all share equal rights and obligations.”

The titular exhibit from the movie
The titular exhibit

What The Square portrays is “a perfect utopian world”. A world where the whole of humanity trust and care for each other and everybody hold equal rights and obligation to serve humanity.

The story revolves around the curator in the museum and he is the main part of the art exhibit. The much of the movie and its shots itself are composed in a way that it serves its characters, the people, as an exhibit. Most shots are center framed and we rarely see an exhibit in the museum in its whole but rather the humans that occupy the stage and performing at the center. And the main exhibit “The Square”, though much is spoken about it throughout the film, we never see it exhibited (to the public).

The main exhibit of the movie, the lead character playing the curator of the museum.
The main exhibit of the movie.

What is art? It is raised in the film and answered by the curator himself as a question. If a handbag is left on the floor of a museum as an exhibit, would it become art? You can recall an old news passed around social media, where spectacles left on the museum floor to be mistaken for an exhibit. It even could have been the inspiration akin to many other real people and events that had been inspired into the movie. But what is art actually? Art is not just the exhibit, the piece, but also the performance. The intention of the artist and what the art inspires in you. All that is left for you to figure out.

I don’t want to divulge the elements of the story here. I’m merely trying to dissect it. The movie mostly deals with portraying human nature. It shows us the disparity, by socioeconomic standards and how it drives a wedge between the two group and how they interact with each other. The upper echelon, the rich 1% and the lowest of all, the beggars are both part of the exhibits. All of these people irrespective of where they come from they behave as nature dictates. A beggar, whom the lead has nothing to offer, helps him to look over his belongings. The rich and affluent turn to their basic animalistic nature when being hunted by a beast of the wilderness.

Th movie also deals with the human nature at a personal level. The display of power to attract a mate is also a universal law of nature, even for humans. We are just primal in that way. They even use a primate to establish that fact. When the curator loses his mobile and wallet, he leaves threatening note to the whole community in an apartment to get his belongings back. And feels threatened by the people living there. That is how profiling works. But it is questioned later whether it is because of the disparity or their nature.

Adverse effects of our nature. Chaos.

A kid who lives in that apartment is considered guilty by his family and is being punished for nothing and he demands the curator’s apology. But how hard it is for us humans to accept our mistakes and apologise. After a show of power and disposing off the kid, the curator is left with echoing voice of guilt. He then seeks redemption, trying to find that kid and to apologise to him and his family, along with his two daughters. But the kids family has moved and he doesn’t get redeemed. In the final shot of the movie, we see him drive away silently in the car, a dialogue from the previous scene involving his daughter cheer team is found echoing in our hearts, where the coach says to a girl that it is okay if she had done a mistake and should be moving on with the routine and work with the team.  His younger daughter is looking up to him.

Though we have the right intentions, sometimes what we do might bear wrong outcomes. And it would cause chaos. After all, we are humans and basically still animals. We move on and bring out the best of us and work together for the betterment of humanity, to create the safe space for others. Make the world ‘The Square’, where we are obligated to trust and help each other out.

Good days and bad.

There are good days and bad days.

On good days, I listen to music.
On bad days, I can’t bear the silence.

On good days, I cook my favourite dish.
On bad days, I can’t decide on what to eat.

On good days, I can turn a page or two.
On bad days, I can’t seem to turn my life around.

On good days, I try to get in a conversation.
On bad days, I try not to disturb this perfect stillness.

On good days, somehow time seems to run out.
On bad days, I can see the time seep through my floor.

On good days, I try not to think of the bad days I had.
On bad days, I hardly remember the good days I had.

Can you hear me

Can you hear me
Like loud as it sounds in my head
A scream
Just the name
Or is it feeble
Tide crushing the sand
Washing the dirt off the crabs eyes
Like the thoughts
Retreating back
Only to come back harsher
As the moon shines brighter

It’s okay If I sound mute
Like the sun burning the ocean on the horizon
As the vapor rushes tot he clouds rumbling
Too distant to hear
Wings tearing them
Like the thoughts
Silently waiting in the dark
A burglar. A robber.
Not till you see
Like the cat in the box
With the poison
Like everything else in this world.

Wonder

I can’t tell you how much you mean to me,
Like the broken, yellow Neem leaf decaying in my backyard.
“Am I just a drying piece of dust-to-be?”, You might wonder.
Yes you are. And you were the tender golden brown that unfurled into a luscious green, foraging the ancient light of the ancestors, feeding the roots and branches and pushing the bud to bloom and help it condense the data of generations into the seed encapsulated in the pulp that feeds birds, and return what humans exhale for themselves to consume, like a duty. And here you are lying, withered of your duties into the palest autumn colour, among hundreds indifferent, yet so unique to kindle these words to sing praise of you. These words meant nothing before they were put together for you.

Broken view

The branch in that tree is missing.
Where the birds used to nest
Or catch a breath before they go preying.
Where they rest at the end of the day
Before they traverse the sky back home
While the sun settles down behind the horizon
Painting strokes with its palette
From yellow to red and pink to violet
The view from the back of my home
Is now broken.

Photo: Maria Nirmal

Your mind is playing tricks

“Your mind is playing tricks on you!”

Who is this tricking me with these dreams? What are these constructs that keep building in my head? Where are MY thoughts? And who is this man lurking in the dark corner of the room?

I can sense the words that he seem to usher in my head. They fit in their place like they are meant to in a sentence. They making meaning in their own vague way like they were meant to. Oh get off my head!

When did I start losing control over my mind? Oh I meant my dreams! Who had taken control over it? Is it this man sitting in a chair, wearing this suit of a deep dark blue, darker than the black night too? What does he want?

What is this room? Why is it empty? It has a bed, a side table with water jug and a couple of glasses, a painting on the wall of a village sea, a window with thick drapes blocking the light, a chair in the corner with this man, and me. It is not empty in the logical sense but still feels emptier than the emptiest room I had seen in my life. Emptier than my heart on a cold windy night.

I can’t see his face as it keeps moving faster as he speaks this soundless words into my head. Which had made their meaning clear. But have I understood it!? How is that you can know the meaning but not understand it, you ask. Tell me, are you not living your life in bewilderment. But I’m syncing those words to his face. Now I think I begin to understand. He says,

“Your mind is playing tricks on you!”

Like I do not know that already. I wanted to scream, but I can barely fletch my brain for a thought. Demanding to move a muscle was a task too much. Then I realised I wasn’t there in the room, though I was. Then I became the room, aware of the physicality of it. But my awareness began to test me. Weirdly the room shifted into a dimension I wasn’t yet aware of. It is a possibility to which I’m not yet part of. Leaving me in the darkness of my mind. But the man was still there, sitting in the same spot. Making those same thought sounds with his face like the damn crickets in the night. But there was no chair no more. Just an emptiness beyond the room. Which looked much emptier than the room. His head slowly sped down and the face was beginning to take a shape. I knew in my head already, I was not yet ready to face him. Not yet. I needed to wake up now. I told myself,

“Your mind is playing tricks on you!”

Photo by EDWARD HONAKER